Madres (2021)

Drawing from 1970s social justice issues that are, sadly, still relevant today, this slow burn horror flick leans more towards the psychological drama end of the spectrum. It may disappoint viewers who are seeking hardcore Blumhouse scares, and it will aggravate those looking for a more truthful account of the mistreatment and abuse of immigrants, but I found it quite effective and plenty of it moved me enough to well up with some tears!

Utilizing elements of paranormal and supernatural horror, Madres softens the blow a little of some real-world horror and atrocities. It meanders a bit from time to time, and shifts in tone from curse riddled ghost story to Erin Brokovich worthy exposé dramatics. But when it works, it works well, and, ultimately, it’s the emotional performances of the Latinx actresses who carry the weight of the story/plot and bear the full brunt of the message. It’s got beautiful composition and some excellent effects to create some haunting emotional moments. There is a particularly notable scene with projector slides that is immensely evocative of grief and despair, and if you’re not totally devastated by that scene I’ll be shocked; it truly moved me!

And hey, ok, also I love the 1970s warm palette and it’s got a lot of those visuals, so of course I sank right into this story since it’s my favourite decade. I think the aesthetic coupled with a compelling lead character helped me remain immersed in the story for long enough to see it through to the conclusion.

The end credits tie in the narrative to past and recent political journalism and shed more light on the abuse of immigrants and Latinx communities. Despite being a bit slow to start, the movie does flesh out its story well, and the pacing does pick up a little as the leading lady uncovers more details behind the curse origin. I think it’s all quite an interesting way to discuss past and modern-day issues around mistreatment of Latinx communities.

Overall, it’s a great watch for those in the mood for understated and quiet emotional horror, and stories with an emotional message on social justice issues.

Review by Ellen Avigliano

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