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Reviews, Articles, and Special Features:

When We No Longer Need WIHM, I Will Rejoice
Non-Fiction, Essay, Women In Horror Month Guest User Non-Fiction, Essay, Women In Horror Month Guest User

When We No Longer Need WIHM, I Will Rejoice

Here’s something I will say, quite regularly, and will absolutely always stand by. Women have always been part of Horror. Some of (though not the first) the first horror novels were written by women – Ann Radcliffe’s The Italian was published in 1796, inspired by The Castle of Otranto (1764) by Horace Walpole, and of course Frankenstein is still a hugely popular classic, written by Mary Shelley. Even some of the classics contain elements of horror, seeping into novels penned by women, because let’s face it, a woman’s life contains a multitude of horrors. Who can ever forget the imagery of a woman trapped in an attic, simply because she is unwell, while her husband brings in a new, younger woman?

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Men Who Write Women: We Need to Talk
Essay, Elle Turpitt, Editor's Desk Guest User Essay, Elle Turpitt, Editor's Desk Guest User

Men Who Write Women: We Need to Talk

It seems we’re facing a bit of a problem right now. And it’s a conversation we’ve had over and over and over. Some individual authors have listened, or spoken out, about it. Reviewers sure as hell have, but certain people seem to believe themselves ‘above’ the rest of us. Whether they’re writers or reviewers or even publishers, there’s people to ignore us when we say this. So it needs to be said again and again and again.

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All That’s Fair Week:  “All That’s Fair” Book Review by Brennan LaFaro

All That’s Fair Week: “All That’s Fair” Book Review by Brennan LaFaro

The theme of this book is twenty-two stories revolving around women. Every single one of them acts as a short nightmare, fantastically addictive in their execution. The tales are like a certain brand of potato chips where you can’t have just one, because holy hell, what else could Cooper possibly dream up to keep you and sleep from meeting up late at night.

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